Ten Minute Plays: A short history

The ten-minute play format is a relatively recent development in the history of theatre. The format emerged in the 1980s in response to a need for shorter, more manageable works that could be performed in a variety of settings. It was originally championed by playwrights such as David Mamet and John Patrick Shanley, who saw it as a way to experiment with new ideas and to reach new audiences.

The ten-minute play format quickly gained popularity in the theatre world. It was embraced by playwrights, actors, and directors, who saw it as a way to create works that were both challenging and accessible. The format also appealed to theatre companies and festivals, which could program multiple plays in one evening, providing audiences with a diverse range of experiences.

The proliferation of the ten-minute play format has been aided by a number of factors. One of the key drivers has been the rise of the internet and social media, which has made it easier for playwrights to connect with one another and to share their work with a wider audience. The format has also been supported by theatre education programs, which have incorporated it into their curricula and encouraged students to experiment with the form.

Today, the ten-minute play format is widely used in theatre education programs, community theatres, and professional theatres alike. It has become a staple of many theatre festivals around the world, including the popular O C Short Play Festival now in its fifth year. The format continues to evolve and adapt, with playwrights experimenting with new styles, structures, and themes, ensuring its continued relevance in the theatre world.